This was more peremptory than any word her friend, though often speaking in her presence with much point, had ever yet directly addressed to her. It affected her like the crack of a whip, but she confined herself, with an effort, to taking it as a reminder that she must keep her head. "I know he has his engagement to carry out." "Well, then, that's all right," said Mrs. Gereth as if she had only wanted to feel that she had been irreproachably considerate. After this she was gentler still, but she had another point to clear up. "Why have you given, for a reply, your sister's address?"!

"Well, darling, what did you tell him?" Mrs. Gereth blandly inquired. "It's the sharpest thing I ever saw in my life!" They looked at each other with intelligence, in appreciation of the sharpness, and Owen quickly broke into a loud laugh. The laugh was in itself natural, but the occasion of it strange; and stranger still, to Fleda, so that she too almost laughed, the inconsequent charity with which he added: "Poor dear old Mummy! That's one of the reasons I asked for you," he went on—"to see if you'd back her up."

"Oh, I'll show you that!" said Owen. "I've pulled myself together." Fleda paused; then she added: "And I've seen Mr. Owen." Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged.